Georg Simmel has long been appreciated as a major theorist of the arts in society, as well as of aesthetic phenomena in general in social life. Yet Simmel’s essays in the area have remained dispersed for many years across the disparate parts of his corpus and have not been easy to survey in their full thematic cohesion and interconnection. This symposium article reflects on Austin Harrington’s comprehensive anthology of these writings in English, published in 2020, which assembles virtually all the (...) relevant titles – many of them appearing in English for the first time. Among the central topics of discussion are Simmel’s fluid style of theorizing, his thinking about representation, reality and modernity in art, his relationships to philosophers and artistic personalities, and his legacy for the present. (shrink)

This essay reviews two recently published volumes of the Max-Weber- Gesamtausgabe (Collected Works) which contain writings on methodological questions and theoretical problems concerning ‘objectivity’, ‘interpretive understanding’, and ‘value-freedom’. Since many of these texts explicitly address Weber’s views on the writings of Georg Simmel, the essay treats these volumes as an occasion to commemorate the legacy of these two classic theorists of modern capitalism a hundred years after their death. In addition to considering new scholarship on these thinkers, the essay also (...) highlights their relevance to problems and questions still being posed and contemplated today. (shrink)

Austin Harrington’s monumental investigation into the ‘radical centrists’ of the Weimar Republic is discussed in terms of key themes such as universalism, cosmopolitanism, and the critique of Eurocentrism that still resonate with recent debates. Contrasting the voices of lesser known critical intellectuals from this period such as Karl Jaspers and Kark Mannheim with the political writings of Max Weber and Georg Simmel, as well as with the reactionary positions of Carl Schmitt and Martin Heidegger, Harrington’s book affords a useful critical (...) perspective on ‘protesting the West’, yesterday and today. (shrink)